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When All The (Live) Music World Has Gone Fishing

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CDs stream into the office too quickly to keep up. But after screening them, a few go onto the iPod for closer examination. Here are the recordings keeping me going in these last two weeks of August when live music is scarce.
- Arleen Auger is a wonder in a 1986 recording of the Mozart Mass in C Minor (Phoenix Edition), along with a young Thomas Quasthoff in a 1991 take of the Requiem. Gary Bertini conducts the Kölner Rundfunk Sinfonie Orchester.
- Simone Dinnerstein plays Bach and Beethoven in The Berlin Concert (Telarc), and also a substantive but friendly work by Philip Lasser, the Twelve Variations on a Chorale by J.S. Bach.
- Interesting but hardly brimming with obvious genius is a new recording of the Clara Schumann Piano Concerto in A Minor, Opus 7 with pianist Frederick Moyer. I keep listening for strong ideas but have so far found few. The release comes with MacDowell's Piano Concerto No. 2 in D Minor, which I remember liking more as a 16-year-old hornist in youth orchestra.
- Prokofiev's Betrothal in a Monastery in a terrifically incisive and colorful recording from Glyndebourne conducted by Vladimir Jurowski.

Photo: boy encounters one of Glyndebourne's production props for Betrothal in a Monastery.

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The Author

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Peter Dobrin has been writing about classical music and the arts for The Inquirer since 1989. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University.

He’s grateful for news tips, willing to engage in a certain amount of back and forth with readers, but is unfortunately unable to remove old LPs from your basement or post photographs of your cat.


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This page contains a single entry from the blog posted on August 15, 2008 11:38 AM.

The previous post in this blog was Condi: The Review.

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