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Married To The Mahler

080908_r17706_p233.jpgAlec Baldwin strikes again. In the current New Yorker, the actor once again bemoans his career choices and glances longingly to classical music. The piece says Baldwin loves Mahler but "can't quite see the point of Mozart."
In one of his career fantasies, Baldwin is a radio announcer for a classical public radio show.
"To sit there in the studio and just say, 'And now Tchaikovsky's Symphony No. 6, with Charles Dutoit and the Montreal Symphony Orchestra.' Click. Hit a button, and then you sit back and listen, and they pay you for that. And I can't imagine they pay you as much as the movies, but to me it's getting to the point where there's just something else I want to do."
Any takers? WRTI - what are you waiting for? And who is going to break the news to him about public radio salaries?
Baldwin apparently has a thing for Dutoit. We can relate to that. And we can help. Come to Philadelphia this season, Alec; Dutoit is ours for the next few years. (No Mahler, though.)
And while Baldwin's got some issues to work out with Mozart, I've got to say that it feels pretty strange in a nice way having a pop culture figure looking at classical and wanting in. No?

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Comments (2)

A. T. Palestini:

He can come out to Iowa where our public radio stations are flourishing and there is still a predominently classical FM station network from Iowa State.

Hal Sacks:

Or there is always the BBC, should the political scene not fall his way in November.

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The Author

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Peter Dobrin has been writing about classical music and the arts for The Inquirer since 1989. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University.

He’s grateful for news tips, willing to engage in a certain amount of back and forth with readers, but is unfortunately unable to remove old LPs from your basement or post photographs of your cat.


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