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Gift For Obama

John_Williams_cmg_260%5B1%5D.jpgClassical music had maybe its largest and most captive audience ever this afternoon when John Williams' Air and Simple Gifts debuted just before Barack Obama took the oath of the office.
An ensemble of clarinetist Anthony McGill, cellist Yo-Yo Ma, violinist Itzhak Perlman and pianist Gabriela did the honors.
It was a relatively introspective choice for a moment that might have been relegated to bombast or boilerplate patriotism. Harmonies were hard to hear, but when clarinetist McGill introduced the melody, first in bits, it was unmistakable: "Simple Gifts," the 1848 Shaker song by Elder Joseph Brackett. Copland used it of course in Appalachian Spring (first called "Ballet For Martha," as in Martha Graham).
The Pittsburgh Symphony gives the Williams work another chance to be heard in concerts this weekend for which Montero was already booked to play Rhapsody in Blue.

The adaptation by Williams (pictured) was instrumental, but here are the words:

'Tis the gift to be simple, 'tis the gift to be free,
'Tis the gift to come down where you ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and to bend we shan't be asham'd,
To turn, turn will be our delight,
Till by turning, turning we come round right.

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Comments (2)

Geo.:

Tim Smith at his Baltimore Sun blog has a blog post with embedded video here of the performance (curiosity that Chinese subtitles are present, which obviously indicates the source of the video).

Geo.:

Sorry, one more: Michael Tomasky, editor of Guardian America, has his "concert review" of the performance here:

"Gorgeous performance by Itzhak Perlman, Yo Yo Ma, Anthony McGill and Gabriela Montero on John Williams' Air and Simple Gifts, a reworking of Copland's Appalachian Spring. Far more moving, for me, than Aretha Franklin's My Country 'Tis of Thee. She wasn't in her best voice. Williams' song had a perfect dramatic structure, and the performances were flawless and emotive. And man, those four weren't wearing any coats!"

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The Author

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Peter Dobrin has been writing about classical music and the arts for The Inquirer since 1989. He earned an undergraduate degree in performance from the University of Miami, and received a master's degree in music criticism from the Peabody Institute of the Johns Hopkins University.

He’s grateful for news tips, willing to engage in a certain amount of back and forth with readers, but is unfortunately unable to remove old LPs from your basement or post photographs of your cat.


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This page contains a single entry from the blog posted on January 20, 2009 1:00 PM.

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