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The Language of Love

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To paraphrase that noted philosopher, Sara Lee, everybody doesn't like something, but nobody doesn't love The Rules of the Game. That's Jean Renoir on the left, pictured with Roland Toutain and Nora Gregor in his 1939 masterpiece, voted best foreign-language film by American cineastes. In recent weeks Eddie Copeland, friend of film and e-friend of Flickgrrl, has been taking nominations for best foreign-language features of the sound era through 2002. Here are the results. Get out your Netflix lists. Love these titles. Your thoughts? Are your favorites represented?

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Comments (6)

Just one slight correction: Not all the voters were Americans. We received votes from all over the world. Thanks for taking part.

Carrie:

Oops. I sit corrected. You're welcome.

JDM:

All those terrific Bergman and Kurosawa movies. I'm good with it. LOL.

Joe:

The list is very represtentative but the thing with lists is, they invariably leave off personal favorites. That's because not all people respond to films in the same way. Mine would contrast with Copeland's only slightly. His is certainly an improvement on those annoyingly abritrary things (based strictly on popularity) that the AFI puts out like clockwork.

wwolfe:

It seems as though most of the movies were made in one of two periods: 1.) the late 1920s through 1939; and 2.) the late 1950s through the late 1970s. I understand why that first period ended: World War II. Was it a combination of video rentals, Spielberg/Lucas teen-oriented blockbusters, and the aging of the Baby Boomer moviegoers that caused the second period to taper off? And are there fewer great movies being made around the world now (I very much doubt it), or is there simply no longer a big enough audience in America to support a steady influx of those movies?

As far as the list itself, I've only seen about 15 of the movies on that list. Which means I don't really know enough about non-English language movies to offer much of an opinion as to quality, and what movies do or don't belong. Most of the ones I've seen were shown to me in my film classes at CCNY, which was a quarter-century ago. So, now that I think about it, I'm one of those folks who don't adequately support foreign movies!

I wonder if anyone mentioned a movie called "Ponette." I thought that was exceptional. Other than Stanley Kauffman in the New Republic, who liked it, I've never seen any opinions about it.

Rick:

The Pusher Trilogy
City Of God
Karakter
Salaam Bombay
Pepe Le Moko
Touchez Pas Au Grisbi
Diary Of A Chambermaid
Bob Le Flambeur
Artemsia
Shower
Los Olvidados
The Wedding Banquet
Au Revoir Les Enfants
Shall We dansu
Time of The Gypsies
High And Low
La Bandera
The Last Emperor
Sophie Scholl: The Final Days
Apocalypto
Le Notti Di Cabiria
Alphaville
The Bicycle Thief
Grand Illusion
Le Bete Humaine
Ninotchka

And Fassbinder, Hezog, Renoir, Fritz Lang,Julien Duvivier, and Gong Li. score forme almost every time out.

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The Author

Carrie Rickey

Carrie Rickey has been The Philadelphia Inquirer’s film critic for 21 years. She has reviewed films as diverse as “Water” and “The Waterboy,” profiled celebrities from Lillian Gish to Will Smith, and reported on technological beakthroughs from the video revolution to the rise of movies on demand. Her reviews are syndicated nationwide and she is a regular contributor to Entertainment Weekly, MSNBC and NPR. Rickey’s essays appear in numerous anthologies, including “The Rolling Stone History of Rock & Roll,” “The American Century,” and the Library of America’s “American Movie Critics.”

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