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Lions' Love

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Should the Disney animation The Lion King be rated R for risque? That's what blushing Britcrit Peter Bradshaw suggests in a recent post. (Pictured are a snuggling Simba and Nala.) Methinks he's seen the movie once too often. Youthinks?

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Comments (8)

JDM:

Nah, he's wrong It's that second Beethoven movie needs an R rating.

If this is all he's worried, than he clearly is not paying attention to the subtexts of many Disney films. The underlying assumptions and statements about sex, race, gender, and class in "children's" films are rather disturbing, especially in contemporary family films in which children are constantly reminded to be good little consumers.

Benjamin Zitin:

Carrie,

I've seen The Lion King a billion times. It's my favorite Disney movie. It's a little bit risque, but other than that I think it's okay. My father agrees with me.

Benjamin Zitin

Jesse Levy:

Wasn't the mean uncle totally gay, too?
Why does our society have to run in fear of anything sexual?

Carrie:

While we're on the issue of affectional preference in Disney animation, I can still remember my shock when I realized that Bambi, who I thought was a she, turned out to be a he.

abramorama:

"Penetrative sex?" Yikes. He must have the Blu-Ray version. Anyway, what's he doing wasting his time on animated heterosexual animal sex when he should be focusing on the apparent homosexual orientation of that figure of literary, and now cinematic, origin, Dumbledore?

Meanwhile just about every Disney movie begins with the violent death of the main character's parent (or bot) is not of concern to this guy?

Joe :

I see a lot of foreplay here, lots of affection, but no sex. What I read into this is that the guy has serious intimacy issues. I'm always amazed by what critics inadvertently reveal about themselves in reviews. Embarrassing.

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The Author

Carrie Rickey

Carrie Rickey has been The Philadelphia Inquirer’s film critic for 21 years. She has reviewed films as diverse as “Water” and “The Waterboy,” profiled celebrities from Lillian Gish to Will Smith, and reported on technological beakthroughs from the video revolution to the rise of movies on demand. Her reviews are syndicated nationwide and she is a regular contributor to Entertainment Weekly, MSNBC and NPR. Rickey’s essays appear in numerous anthologies, including “The Rolling Stone History of Rock & Roll,” “The American Century,” and the Library of America’s “American Movie Critics.”

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This page contains a single entry from the blog posted on October 24, 2007 3:10 PM.

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