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Into the Pine Barrens - Week 2, Toward Trenton on 206

ROAD21ccTG.jpgHeading north on Route 206 from Hammonton, in the Wharton Forest, a huge turtle on a stick just a few feet from the road catches my eye, where the Mullica River flows into Atsion Lake. Pulling over for some wildlife photography, I see Bill Schmidt in a kayak collecting a stick of his own from the shoreline of what nearly everyone describes as the "root-beer-colored" water of the cedar lake. His wife Marylee paddled up, also in a kayak. From Buena, he, a glassblower, and she, a retail manager, were in middle of their two week vacation staying in one of the cabins at the state park, and had the lake all to themselves (the turtle dipped under the water when I stepped too close). "It's what, twenty minutes from where you live," friends laugh, he says, when he tells them where he's going. Marylee adds that it's a great place to go, "especially before the crowds come after the Fourth of July." Bill also carves wooden birds, that he mounts on the driftwood sticks he collects.

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Swimming is only allowed on weekends through June at the park, and after that, every day as long as there are lifeguards on duty. Bill and Marylee will be back, for a second vacation, when it's quiet again, in the fall.









Summer swimming isn't only a saltwater shore thing. If you have photos from Atison Lake's freshwater beach, send them to me as an email attachment at Roadtrip@phillynews.com. I'll post some on the blog.

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Comments (1)

anonymous, by phone :

I'm sorry to see you have joined the sheep that are following the ridiculous current practice of giving all the stories in the present tense. It certainly saves having to learn declination and tenses and so forth. But it is childish. Think about it.

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Photographer

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Tom Gralish is a general assignment photographer at The Inquirer, concentrating on local news and self-generated feature photos. He has been at the paper since 1983, photographing everything from revolution in the Philippines to George W. Bush’s road to the White House to his Pulitzer Prize-winning photo essay of homeless people in the city.

For his photo essay on Philadelphia’s homeless, he was awarded both the Pulitzer Prize and the Robert F. Kennedy Award. During the first Gulf War, he was the photo editor in Saudi Arabia for all newspaper photographers embedded with U.S. military units.

His weekly column, "Scene on the Street," takes a look at Philadelphia's urban landscape.


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This page contains a single entry from the blog posted on June 21, 2007 7:06 AM.

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