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A Picture is Worth How Many Words?

There was a server/platform problem here that kept me from uploading any photos since last Friday. I ended up describing some of the pictures (see below) but otherwise, the Daily Photo here was nothing but words all weekend.

It was fixed tonight, so I was able to go back and upload all my photos from the past four days. Except now I had a new problem. After a few days had passed, I started having second thoughts about some of the pictures, and and entertained ideas about re-editing some of them.

On Friday night, I attended a rehearsal of the Orchestra Society of Philadelphia. This is what I saw when I arrived in the parking lot:

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I liked the shadows more than the musicians, so I moved in closer to favor that element:

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Then a bird landed on the head of the taller statue. This is how I described it here when I was unable to post only words, no photos:

A white statue of the Blessed Virgin Mary, on the summer solstice, with a bird standing on her head. I took it just minutes before summer officially arrived at 7:59 pm, so the orange/red evening sunset was lighting the statue and the adjacent wall casting shadows from nearby trees. Inside, with Jack Moore conducting, The Orchestra Society of Philadelphia rehearsed Tchaikovsky's Symphony #6 ("Pathetique").

And here's the one I used my Daily Photo:

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What I didn't like about this photo is that, even a few days later, all I could see is that I wasn't paying attention to my background. In my defense, I guess I was thrilled when the bird alighted. Then, after I recovered from my good fortune, I made a quick photo, and started thinking about whether I could capture the bird in the air when it flew off. It would have been a much better photo if I had just bent my knees and leaned a little to the left. The bird would have been positioned against a lighter area of the wall, instead of a shadow. But I didn't, and then it took off.

It's a matter of luck, timing and thought.

I also revisited my ballet photo at Rutgers/Camden's Gordon Theater on Saturday. There was another frame I'd liked from the finale:

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And then leaving after the performance, which was the first annual Workshop Performance of the two year old Northern Liberties ballet school, I was drove toward the river as the sun was setting on this first full day of summer. I was stuck not just by the light, but by how empty the streets of downtown Camden are, on an evening, on a weekend. Not until I hit the old RCA Nipper Building on the waterfront - now The Victor - did I even see so much as another car:

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Photographer

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Tom Gralish is a general assignment photographer at The Inquirer, concentrating on local news and self-generated feature photos. He has been at the paper since 1983, photographing everything from revolution in the Philippines to George W. Bush’s road to the White House to his Pulitzer Prize-winning photo essay of homeless people in the city.

For his photo essay on Philadelphia’s homeless, he was awarded both the Pulitzer Prize and the Robert F. Kennedy Award. During the first Gulf War, he was the photo editor in Saudi Arabia for all newspaper photographers embedded with U.S. military units.

His weekly column, "Scene on the Street," takes a look at Philadelphia's urban landscape.


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This page contains a single entry from the blog posted on June 24, 2008 6:39 PM.

The previous post in this blog was Scene in 2008: Day One Hundred Seventy Five.

The next post in this blog is Scene in 2008: Day One Hundred Seventy Six.

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