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Taking Your Camera Out Every Day

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I was down the shore in Avalon last week photographing an updated cottage for the Home and Design section. The sky was so blue I couldn't stop looking up at it, After editing and sending my photos from the Avalon library I was heading north on the Garden State Parkway when I just had to exit at Ocean City, the light was getting so beautiful. I shot the boats just as an excuse to photograph that sky. And them wandered around the edges of the boardwalk where I made that day's Daily Photo.

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Finally I had to head for home, and on the AC Expressway, came around a bend just as the sun was setting directly in front of me. After making sure there were no other cars near me, I grabbed my camera and clicked off a frame.

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Then focusing again on my driving (which we should always be doing while behind the wheel), I squirted the windshield with washer fluid as the direct sun was glaring off the dead bugs. At that moment, I just had to reach for my camera on the front seat a second time - but as evidence I was concentrating more on my driving, I didn't even readjust the focus from infinity - and made another shot.

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That is the overall theme of this blog, and why it is still called Scene on the Road, even though last summer's road trips are almost a faded memory. Photograph the journey - not just the destination. That means taking your camera out every day and making pictures, not just your usual moments - vacations, birthday parties, soccer games or ebay sale items - but give the rest of your day a shot as well.

As students we are told to keep a daily journal. I had an English Literature teacher who said, "if you don't write, how can you know what you're feeling?" She often added, for the benefit of those who struggled, "if you can't write it, how do you know it's real?" I work with a lot of reporters and they ALL write all the time - and not just for the newspaper - in blogs, magazine articles, and books. I've always admired photographers like Inquirer staffer Eric Mencher and soon-to-be co-worker Daily News Photographer David Maialetti who seem to have their cameras with them all the time. And use them.

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I could never write (or compose music or poetry, or dance or sing either) so years ago I started taking pictures to express myself. At some point, I started taking fewer photos of everyday things concentrating on making images to get and then keep a job. So the time I've spent on my blog - shooting the Daily Photo has reconnected me with that every day kind of photography.

During last weekend's storm, I tried to photograph the lightning, but because of the clouds and all the trees in my neighborhood, I couldn't see a thing except brief flashes where the leaves would light up. Besides, it was scary. So I waited inside until the thunder stopped. It was still raining when I went back outside looking for pictures. I found one in the surface of my small patio pond. Then the power went out, and we were forced to eat all the ice cream in the freezer. Hours later, when everyone had gone to bed, I was still watching the flickering candle, wondering how I could capture the outage.

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Comments (3)

larry Browne:

Hey- how about a picture taken while driving reader submission? ;-)
Can't tell you how much I enjoy reading scene through the lens- it's made me start shooting and seeing again!
Thanks!

TomG:

Thanks for the kind word, Larry. And as far as your suggestion goes, I would never encourage unsafe driving practices. I always pull over when I use my cell phone (bumper stickers seen recently: "Are you having phone sex, or do you always drive that way?" "Hey - You"re driving a car, not a phone booth")

larry Browne:

I only shot from the car when in traffic- honest!
There's a stretch of the Brooklyn-Queens Expressway that runs along the East River where there is an amazing view of lower Manhattan and the bridges. It's one place I want to be stopped in traffic- I have a few pictures of the World Trade Center from there that I treasure.
What did we do before we could call anyone from anywhere? Oh yeah, we waited a little while......

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Photographer

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Tom Gralish is a general assignment photographer at The Inquirer, concentrating on local news and self-generated feature photos. He has been at the paper since 1983, photographing everything from revolution in the Philippines to George W. Bush’s road to the White House to his Pulitzer Prize-winning photo essay of homeless people in the city.

For his photo essay on Philadelphia’s homeless, he was awarded both the Pulitzer Prize and the Robert F. Kennedy Award. During the first Gulf War, he was the photo editor in Saudi Arabia for all newspaper photographers embedded with U.S. military units.

His weekly column, "Scene on the Street," takes a look at Philadelphia's urban landscape.


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This page contains a single entry from the blog posted on July 30, 2008 1:08 AM.

The previous post in this blog was Scene in 2008: Day Two Hundred Eleven.

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