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Personal Presidential Photography

As the eyes of the world were on Chicago’s Grant Park for election night some two weeks ago, I’m sure I wasn’t the only member of a special interest group watching for different things on the television as Barack Obama walked out onto the stage.
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Some were looking for celebrities – Oprah (w/Stedman), Brad Pitt, Star Jones, Spike Lee, Rev. Jesse Jackson, and Will.i.am - were all spotted in the audience. Others watched to see what dress Michelle Obama would be wearing (it was a red-and-black Narciso Rodriguez). ROAD20081117B2.jpgI was looking at the camera angles and trying to see which photographers were in the “buffer zone” around the stage. I was wondering which photographer would be right there behind the curtains as the President-elect and his family stepped out into the spotlights. Three who have covered Obama for years were my first guesses: Charles Ommanney, with Getty Images, who made the top photo and shoots for Newsweek; Pete Souza, former Official White House Photographer for President Reagan, and author of "The Rise Of Barack Obama,” who shot the middle one; and Callie Shell, with Aurora Photos who covered the Obama campaign for Time, who shot the photo below.
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Barack Obama wasn't a conventional candidate. As President-elect, I wondered, would he show some unconventional thinking when it came to photography? I got my answer within days.

In almost every one since John F. Kennedy’s, in the days following the election there has appeared an “exclusive” behind-the-scenes view of a president-elect's first moments on the glossy pages of a big national magazine. ROAD20081117FF.jpgAlways captured by some world famous photojournalist, and usually, even in the days of widespread color news pictures, presented in black and white.

For Obama’s big night those pictures were taken by his personal photographer David Katz and presented to the world, not in a conventional media outlet like Newsweek’s post-election "How He Did It" issue, but as a set of 82 photographs posted on Flickr, two days after the historic election.

The Omaba campaign used the web as a direct channel to his supporters. This is a team that got Facebook co-founder Chris Hughes to create a social networking site of their own - myBarackObama.com - so it probably shouldn’t be too surprising they'd use an online community image and video hosting website to show what went on behind-the-scenes that night.
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It was surprising to a lot of photographers who make their livings covering politics that a campaign staffer would be the only still photographer allowed in the room while the candidate and his family watched the election returns.

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Photographer

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Tom Gralish is a general assignment photographer at The Inquirer, concentrating on local news and self-generated feature photos. He has been at the paper since 1983, photographing everything from revolution in the Philippines to George W. Bush’s road to the White House to his Pulitzer Prize-winning photo essay of homeless people in the city.

For his photo essay on Philadelphia’s homeless, he was awarded both the Pulitzer Prize and the Robert F. Kennedy Award. During the first Gulf War, he was the photo editor in Saudi Arabia for all newspaper photographers embedded with U.S. military units.

His weekly column, "Scene on the Street," takes a look at Philadelphia's urban landscape.


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This page contains a single entry from the blog posted on November 17, 2008 12:42 AM.

The previous post in this blog was Scene in 2008: Day Three Hundred Twenty.

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