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December 2008 Archives

December 1, 2008

Thanksgiving

I started this post over the holiday intending it to be Thanksgiving–themed, but then as usual got distracted - although thankfully it wasn't by long lines for big screen TV's.
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I am thankful for many things. Like my fifteen year-old son still letting me drag him to the parkway for the Thanksgiving Day Parade,ROAD20081201R.jpgeven though his mom and sister now stay home. And since this is a photography blog, I’m thankful he doesn’t seem to mind posing with me for the traditional outstretched arm self-portrait. I’m also thankful things are going well for my seventeen-year-old daughter, who is a high school musician preparing for college auditions.

I could go on, but I’ll stick to the photography aspects. She performed last week as a violin soloist with the Olney Symphony, a community orchestra in Cheltenham. Afterward as she posed for photos with their oldest member, a ninety four year-old violinist, I heard someone say, “it must be sad for him to hear someone so much younger, to be so talented with her whole life ahead of her.”
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That comment got me thinking. First, that I hope I’m still able to pursue my craft when I’m ninety-four. But mainly I thought about how I feel when I when I meet young and talented photographers. It’s actually just the opposite of what that music lover supposed. I find myself recharged with optimism and my spirits are lifted. It is just great to see their potential.

I do sometimes worry that there will not be many opportunities for young photographers in newspapers in the future. Of all the jobs in photography, it is hard to imagine any other specialty with as much opportunity to witness life. I wish every one of them could get a chance to see, and capture each day that brings something new. Look at some of what I photographed just during the past week and a half.

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Not quite the age difference between the violinists, I photographed Eagles quarterback Donovan McNabb on the day he celebrated his 32nd birthday, just a few days after he was benched by coach Andy Reid (but before his Thanksgiving Day game start). A few days earlier I had photographed rookie Flyers defenseman Luca Sbisa who is all of eighteen (and speaks four languages).

The subject of another assignment eclipsing even the ninety four year old. The complete skeleton cast of Hadrosaurus foulkii - a dinosaur first dug up in Haddonfiled in the 1830's - opened on display at the Academy of Natural Sciences.
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I also learned that the fact that it shares a syllable with the town is a coincidence. The Hadrosaurus part means bulky lizard. Before shooting the bones I stopped by to shoot the toy dinosaurs children leave near bronze markers at the site where they were unearthed. The location is now a national historical landmark.

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The late autumn weather offered natural backdrops for two portraits I might otherwise have shot indoors.
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Local author Matthew M. Quick and his wife Alicia Bessette posed in Knight's Park in Collingswood and local advertising legend George Beach posed in the courtyard behind his Center City offices.

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In downtown Camden, reporter Matt Katz came across a semi-organized group of men who have handed photocopied slips of paper with Bible verses to pedestrians for two decades. I know I have walked past them dozens of times over the years just figuring they were looking for a handout. I spent a morning with the guys everyone in the city seems to know, and everyone seems to go out of their way to ask for a verse.
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I'm thankful for the opportunity to bring readers, almost as Jim McKay would say (without the "spanning the globe" part) the constant variety of sport. Or in this case, the variety of life. This week I also shot a face lift, a homeless marathon runner, an iced-over pond, fugitives turning themselves in during a Safe Surrender program, a prototype electric car and families motoring to their holiday dinners.

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And finally, speaking of being thankful, one year ago, Jordan Burnham, then an 18-year-old high school senior, was lying in a hospital bed, unable to speak, fighting for his life after jumping out a ninth-floor window. ROAD20081201M.jpgHis story was chronicled by Inquirer reporter Michael Vitez, who revisited him as he spoke last week to middle and high school students in Pottstown. I was there for the photos. Jordan says in one way the tragedy has given his life purpose. He can now help others understand mental illness and avoid what happened to him. "It did change my life in such a positive way," he said, "and I hopefully can help others."

Scene in 2008: Day Three Hundred Thirty Five

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December 1, 2008: Night School

December 2, 2008

Scene in 2008: Day Three Hundred Thirty Six

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December 2, 2008: National Governors at Congress Hall

December 3, 2008

Scene in 2008: Day Three Hundred Thirty Seven

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December 3, 2008: Crime Scene

December 4, 2008

Scene in 2008: Day Three Hundred Thirty Eight

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December 4, 2008: Fundraiser For Police Officer Family

December 5, 2008

Scene in 2008: Day Three Hundred Forty

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December 5, 2008: Army-Navy Game Pep Rally

December 6, 2008

Scene in 2008: Day Three Hundred Forty One

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December 6, 2008: Greenwich Rec Center, South Philadelphia

December 7, 2008

Scene in 2008: Day Three Hundred Forty Two

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December 7, 2008: No Roof Rack

December 8, 2008

At the end (or beginning) of the day...

...you're left with just another visual cliché.

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At some point in a photographer's development being told one of your pictures looks "just looks like a postcard" is no longer a compliment. So we move out of the midday light and start shooting at sunrise and sunset.

Good outdoor photography is far more dependent on the time of day than on the type of action occurring there. So I like taking pictures when the light is nice. Sometimes I like it so much I do it again, and again and again. Like this past Friday.
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Driving up for an Army-Navy Game publicity event on the steps of the Art Museum I noticed the shadow of John Gregory's 1937 statue of General Anthony Wayne. I was early, and it looked cool, so I spent a few minutes photographing it. From a few angles.
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On the "Rocky Steps" as I the covered feats of strength, skill, speed and athleticism by Naval Academy midshipmen and West Point cadets, I still kept shooting shadows and sunrise silhouettes.
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When you find something that works, there is always the danger of repeating yourself. It's a good thing for me - except for captions or tag lines - there is no easy way to Google for the objects you see in pictures. I'd be caught. It seems I can't just take a photograph of a street. I have to wait for a bicyclist, a hat or umbrella-wearing pedestrian, or one lost in cell phone conversation, or a pigeon to pass through before I click the shutter. That's not just self indulgence, it's my way of making what is usually an assignment to shoot a building just a little more interesting than making a record of the scene. Sometimes silhouettes, shadows and reflections are the only way to keep it from looking like a real estate advertisement.

If imitation is the sincerest form of flattery, is shooting the same photo over and over again a form of sincere self-satisfaction? Or is it just fun?

What happens when the desire to make pictures that don't look like everybody else's pictures makes you start making pictures that all look just like every other picture you've ever taken?

I can either ponder questions like these for hours, or start taking pictures.

By the time I was leaving the event, the sun was higher in the sky and the shadow was now in a new place, so...

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Scene in 2008: Day Three Hundred Forty Three

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December 8, 2008: Superior Court, Woodbury, NJ

December 10, 2008

Scene in 2008: Day Three Hundred Forty Four

SCENE20081209.jpgDecember 9, 2008: Presidential Parking, Valley Forge

Scene in 2008: Day Three Hundred Forty Five

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December 10, 2008: Rittenhouse Square

December 11, 2008

Scene in 2008: Day Three Hundred Forty Six

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December 11, 2008: Open Semi-tractor Trailer Truck Hoods

December 12, 2008

Scene in 2008: Day Three Hundred Forty Seven

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December 12, 2008: Route 70, Cherry Hill, NJ

December 13, 2008

Scene in 2008: Day Three Hundred Forty Eight

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December 13, 2008: Day After the Big Full Moon

December 14, 2008

Scene in 2008: Day Three Hundred Forty Nine

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December 14, 2008: Lehigh Valley Hospital-Muhlenberg, Bethlehem

December 15, 2008

Scene in 2008: Day Three Hundred Fifty

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December 15, 2008: Somerset County, NJ

December 16, 2008

Scene in 2008: Day Three Hundred Fifty One

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December 16, 2008: Media Literacy Forum

December 17, 2008

Scene in 2008: Day Three Hundred Fifty Two

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December 17, 2008: The National Museum of American Jewish History

December 18, 2008

Scene in 2008: Day Three Hundred Fifty Three

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December 18, 2008: Vincentown, New Jersey

December 19, 2008

Scene in 2008: Day Three Hundred Fifty Four

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December 19, 2008: Red & Green #3

Scene in 2008: Day Three Hundred Fifty Five

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December 20, 2008: Shopping Gridlock

December 21, 2008

Scene in 2008: Day Three Hundred Fifty Six

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December 21, 2008: First Day of Winter

First Day of Winter

A year ago when I started shooting a Daily Photo for this blog, photographer Eric Mencher gave me some advice as we talked about the idea.

"You can always go for a closeup," was one of the hints he offered for those times I might feel I couldn't find anything to photograph. A look back on my year in pictures reveals I took his advice more than once.

That wasn't exactly the case today though. The freezing morning rain left such a delicate layer of ice on everything this first day of winter, closeups were the best way to capture it.

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Behind the Scenes

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On the eve of the inauguration of a new president, the January 2009 issue of National Geographic is out with photos Christopher Morris shot of the day-to-day operations of caring for the President of the United States.

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A gallery of his "Life Inside the Presidency" photos can be seen on the Geographic's website.

Elisabeth Bumiller wrote the story about how even with a new man in the White House, "many other things in the private world of the President of the United States will stay remarkably the same."

Also new in behind the scenes presidential photography his month is
"Yes We Can: Barack Obama's History-Making Presidential Campaign," the book by Brooklyn photographer Scout Tufankjian who spent almost two full years on the campaign.
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ROAD20081222_12.jpgImmediately after covering the candidate for the very first time, she says she called her agent and told her "that I was going to cover the Obama presidential campaign. I did not offer her a choice. The fact that he wasn’t technically running yet didn’t really seem that important to me."

She says she ended up "on assignment (i.e. all expenses paid) only about 15–20% of the total campaign. The rest of the time I paid for it myself and just hoped to make enough sales to make it worth it."

December 22, 2008

Scene in 2008: Day Three Hundred Fifty Seven

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December 22, 2008: Ft. Dix defendants: Guilty of Conspiring

That’s My Picture! (NOT)

(January 2009 UPDATE: The source photographer is MANNIE GARCIA, a Washington D.C. based freelancer on assignment for the Associated Press in 2006. Click here for more.)


ROAD20081222_07.jpgYeah, it was shot it here in Philadelphia when candidate Barack Obama delivered his speech on race back in March at the National Constitution Center. And now it’s been turned into a drawing!

***** JUST KIDDING ***** ***** JUST KIDDING *****

No, my photo was NOT used to create the cover of Time magazine’s Person of the Year issue (the artist used a photo by Time photographer Brooks Kraft). But see how easy that was? So why hasn't the real photographer who shot the photo that inspired the original Obama poster stepped forward to make that claim?

The illustration of the president-elect by Shepard Fairey is a variation of the artist’s instantly recognizable Progress/Hope/Change Obama poster. Fairey readily admits the poster started with a news photo he found in a Google Images search. I have been wondering since then what the photographer who made the photo had to say about the appropriation. But after countless searches on the web and an unanswered email to the artist, I have yet to find out anything about the photographic source of the poster.

It really is a memorable image, and I recall vividly my first encounter with the now-iconic poster in West Philadelphia last winter (below). I was so impressed, I actually crossed the street to get a closer look.
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Seeing the Time cover on the newsstand last week, I was still amazed that nobody has come forward. Or if anyone has, I wonder why they haven’t received any noticeable media attention for it. Any readers see or hear anything? Any idea who the photographer is who shot it?

When fifteen nurses and twice that many sailors can claim to be the subjects of Alfred Eisenstaedt’s V-J Day hug in Times Square photo, you’d think a whole bunch of photographers would step forward - like I just jokingly did – claiming to have shot the Obama photo. There must be a dozen shooters who have similar images.

Fairey was the Rhode Island School of Design student responsible ROAD20081222_15.jpgfor those "Obey Andre" stickers of the graphic face of pro-wrestler Andre the Giant that were plastered on walls and signs all over America. Time included him in a photo essay a few years ago on street artists. He sees no problem with using work created by other artists and photographers and “repurposing” it as his own. He is often accused of plagiarism, but art critics often point out that Andy Warhol did the same thing.

Writing in the September issue of the Los Angeles arts magazine Bedlam, Kaelan Smith quotes Fairey saying, “I just basically went on the internet and looked for a good photo of Obama to work from…”So, I found an image that I felt had the right gesture, and then, of course, did my thing to it – re-illustrated and simplified it to this really iconic, three-color image.”

ROAD20081222_01.jpgIncluded in the online version of the Time cover story is a video of Fairey talking about the illustration. Last summer, the Washington Post created an interesting graphic about the thinking that went into the original poster. Fairey’s Obey Giant website still has a downloadable B&W pdf version available.

Lastly, if you want to create a Progress/Hope/Change poster of your own, check out these two sites for help Fairey-izing your own photos:

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David Wolbrecht, a graphic designer at the University of Washington wrote a How To guide for Adobe Illustrator-armed artists who want to emulate the poster. That's his Martin Luther King on the left. And Dubi Kaufmann, a programmer in Chicago created a Photo Booth plugin "as an exercise in pop culture." The software is a free download but he asks that you acknowledge him if you build on it (it only works on macs running OS X 10.5 Leopard). That's him Obamafied on the right.

December 24, 2008

Scene in 2008: Day Three Hundred Fifty Eight

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December 23, 2008: Code Blue

Scene in 2008: Day Three Hundred Fifty Nine

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December 24, 2008: Christmas Eve Line

December 25, 2008

Scene in 2008: Day Three Hundred Sixty

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December 25, 2008: Winter Night

December 26, 2008

Scene in 2008: Day Three Hundred Sixty One

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December 26, 2008: Winter Night: Alternative View #1

December 27, 2008

Scene in 2008: Day Three Hundred Sixty Two

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December 27, 2008: Winter Night: Variation #2

December 28, 2008

Scene in 2008: Day Three Hundred Sixty Three

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December 28, 2008: Deal Me In

December 29, 2008

Scene in 2008: Day Three Hundred Sixty Four

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December 29, 2008: Vigil for Homicide Victims

"Best Of" Compilations for 2008

It's that time of the year again when we get to look at lots of year-end compilations. I got carried away as usual and sought out a whole bunch lot of them. Here are some links:

The Boston Globe's Big Picture:
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Time's Pictures of the Year 2008:
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Sports Illustrated's Greatest Shots of 2008:
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The Wall Street Journal's Year in Pictures:
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MSNBC's Year in Pictures
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National Geographic's Most Viewed Galleries of 2008:
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Chicago Tribune's Joy and Sorrow in 2008:
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International Herald Tribune's 2008 in Pictures:
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L.A. Times' Best Arts & Entertainment photography of 2008
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Vanity Fair's Year in Pictures:
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I'll have my own "best of" on New Years Day, culled from 366 Daily Photos I posted in 2008.

December 30, 2008

More "Best Of"

The New York Times didn't have their "Year in Pictures" site up yet over the weekend when I compiled all the links in my previous post, so I'm adding it here now.

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The photos are just outstanding.

But what's even more extraordinary is the newspaper offers up such a marvelous, interesting, entertaining, enlightening and unique view of our world - all produced by staff photographers and freelancers working on assignment.

That is especially impressive these days when any newspaper, magazine, or website can fill themselves entirely with all the exact same photographs as every other newspaper, magazine or website. It makes you appreciate what exclusive content really means.

Scene in 2008: Day Three Hundred Sixty Five

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December 30, 2008: Jetty, Sea Isle City

"...effective Dec. 31."

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December 31, 2008

Scene in 2008: Day Three Hundred Sixty Six

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December 31, 2008: String Band Tunes Up

About December 2008

This page contains all entries posted to Scene on the Road in December 2008. They are listed from oldest to newest.

November 2008 is the previous archive.

January 2009 is the next archive.

Many more can be found on the main index page or by looking through the archives.

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